“Is it just me, or is it getting crazier out there?” Well, it’s time to find out for yourself. *Joker* — the standalone origin story for the DC villain, starring Joaquin Phoenix in the lead — is out now in cinemas across in India.
from RSS Feeds : RSS Feed - NDTV Gadgets360.com https://ift.tt/2okUm1k
Rohit Shetty's cop universe also includes Ajay Devgn's Bajirao Singham and Ranveer Singh's Simmba act. Now, Rohit Shetty is back in Hyderabad to shoot the climax of Sooryavanshi in a 20-day schedule that starts today. A massive set has been constructed in Ramoji Film City for the shoot. As per sources, the climax of the film is set to bring Ajay Devgn, Ranveer Singh and Akshay Kumar together for the first time. Reportedly, Singham, Simmba and Sooryavanshi will be teaming up to fight a larger than life situation. Rohit Shetty had earlier hinted at a crossover of the three characters when Ajay Devgn had made a brief appearance in the Simmba in his Singham avatar. Produced by Rohit, Karan Johar, Akshay and Shibasish Sarkar, the film also marks a reunion for Akshay and Katrina Kaif almost a decade after Tees Maar Khan. It also features Neena Gupta as Akshay’s mother with the actress promising that her character is a departure from the stereotypical screen maa. There are multiple antagonists, including Nikitin Dheer, Gulshan Grover and Abhimanyu Singh as the film is set against the backdrop of terrorism in India. The film is scheduled to release in March 2020. Also Read: Rohit Shetty to make Golmaal 5 after Sooryavanshi? 
She posted two pictures where she’s posing casually in a café looking like a sun-kissed beauty as she waits for her plate of French fries. She posted a couple of pictures with the caption, “Waiting for fries is a constant mood ????” We’re kinds hoping we also look this flawless while waiting for our share of French fries. Take a look at the pictures.
SYE RAA NARASIMHA REDDY is the story of India's first chapter of freedom struggle. The year is 1857. The soldiers of Rani Lakshmibai (Anushka Shetty) are wondering whether a handful of them will be able to fight the huge British army. In order to motivate them, the Queen narrates the story of the brave Narasimha Reddy (Chiranjeevi) who revolted against the British a decade before the 1857 revolt. The story then goes in flashback mode. Narasimha Reddy is a ruler of a part of the territory in South India called Rayalaseema. He is a part of a polygar which consists of several other rulers like Avuku Raju (Sudeep), Basi Reddy (Ravi Kishan) etc. All these kings get pension from the British and are expected to be submissive to the Crown. Narasimha Reddy however is in disagreement with this arrangement and is finding a way out to free his kingdom from the clutches of the British. The region faces drought and to appease the rain gods, Narasimha Reddy's learned mentor Guru Gosayi Venkanna (Amitabh Bachchan) asks for a yagna to be conducted. Narasimha is shocked as he learns that the last time a similar yagna took place was in his childhood and that time, he was married off to Siddhamma (Nayanthara). But the married couple was kept apart as there was a 'dosh' in their union and they could reunite only after another yagna. Narasimha Reddy is devastated at first as he loves Lakshmi (Tamannaah Bhatia). With a heavy heart, Narasimha Reddy leaves Lakshmi and advises her to use her dancing talent for the greater good. He then accepts Siddhamma and begins his married life. Despite the drought, the British officer Jackson (Oscar Skagerberg) asks for tax from farmers. He even mocks them and once while he’s doing so, Narasimha Reddy arrives and teaches him a lesson. An angry Jackson enters a village ceremony and eliminates 5 farmers and a child. Narasimha Reddy is so angry that he enters the British settlement, attacks the soldiers and then beheads Jackson. The other rulers of the polygar refuse to help him at first but then join Narasimha Reddy in challenging the mighty British Empire. What happens next forms the rest of the story. Paruchuri Brothers's story is excellent and makes for a grand, patriotic film. They have obviously fictionalized a lot of developments in the plot but it has been done very well. Surender Reddy's screenplay is confusing in the beginning as too many characters get introduced and it might seem difficult to understand who is exactly related to whom. But in the later sequences, the script is quite effective and packs a punch. Manoj Muntashir and Jitender Pawar's dialogues are sharp although some of them are over the top. Surender Reddy's direction is quite massy and simple. Most of the important scenes are well executed and leave a lasting impression. He stirs up the viewer’s emotions beautifully. One can’t help but hate the British for their atrocities and one can’t help but root for Narasimha Reddy for his acts. On the flipside, the initial portions are strictly average. The film moves too fast, since it’s already too long at 171 minutes and hence, a few scenes don’t make the desired impact. There’s also a déjà vu of BAAHUBALI, the Hollywood flick 300 and even surprisingly THE AVENGERS and this was avoidable in many places. SYE RAA NARASIMHA REDDY’s initial portions are not very impressive. The proceedings are neither great nor terrible – it’s somewhere in between. The first 30-40 minutes are spent in introducing the characters, the setting, location etc. The entry of Siddhama makes for a great twist in the tale. But a few developments are difficult to digest at this point. Sidhamma remembers her marriage, which took place in the childhood, without fail but Narasimha Reddy doesn’t even know he’s married! However, the film really picks up in the scene where Jackson arrives at a farmland and mocks a farmer. The manner in which Narasimha Reddy gives a monologue and challenges Jackson is clapworthy. The intermission sequence however is even better and the audiences in single screen cinemas will go crazy at this point. The second half too has some great moments though they could never reach the level of the aforementioned sequences of first half. It also gets a bit too long. But it keeps one engaged. The finale is powerful and the film ends on a rocking note. 
